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There are all kinds of problems with this plan that Inferno never really addresses. He, as you might guess, plans to do this winnowing himself - saving the human race by extinguishing half of it with a virus. Bertrand Zobrist (Ben Foster), who in the film’s opening moments is seen giving a TED-like speech about the urgent need to reduce the number of humans on the planet by half, so as to keep us from sending ourselves into extinction.
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(You don’t need to see either The Da Vinci Code or Angels & Demons to follow along with this one.) They get poor reviews and make a lot of money, and most people go home happy enough - including, presumably, Howard, Hanks, and whoever else is on the payroll.Īs with its predecessors, Inferno features Hanks gamely playing Langdon and takes place over the course of a single day, as Langdon uses his knowledge about symbols and history to crack a historical scavenger hunt and save the world from whatever shadowy force is threatening it this time.
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The point of this movie and its predecessors, The Da Vinci Code and Angels & Demons, has never been to make great art. Inferno is actually based on Dan Brown’s fourth novel about Harvard "symbologist" Robert Langdon - Hollywood skipped the third novel, The Lost Symbol, for reasons that don’t really seem to matter - and I’ll risk being repetitive to state that it’s not a very good movie. Inferno never really wanted to make sense What the two films have in common is also what separates them: Both sense that religion is a way of interpreting the world, but they approach their responsibility to that topic from opposite poles. In other words, it’s a Werner Herzog movie.
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Inferno is twisty and ludicrous, a code-cracking romp through absurdity against the background of still-medieval Florence Into the Inferno is a loose, sometimes funny, sometimes unsettling meditation on the ways raw natural power shapes human societies, imaginations, and beliefs. It’s hard to imagine two more different films.
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The other, Into the Inferno, is a documentary that’s (sort of) about volcanoes, directed by Werner Herzog. One of them, Inferno, is the third film in the Da Vinci Code series, based on the novel by Dan Brown, directed by Ron Howard, and starring Tom Hanks. It’s not your imagination, and you’re not seeing double: There really are two movies out this weekend with the word "inferno" in the title.